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Pestañas anchas Promade de doble capa

Name: Abanicos anchos y sueltos Promade de doble capa
Brand: Curacoro
Price: 28.99 CAD
Availability: InStock
Rating: 4.9 (15 reviews)

Redefina el volumen con pestañas de doble capa

Espesor y esponjosidad excepcionales

Pestañas anchas Promade de doble capa: detalles del producto

Las pestañas sueltas Promade Wide de doble capa están diseñadas para redefinir los conjuntos de volumen. Este producto único presenta una construcción de dos capas, donde la capa superior presenta rizos y es deliberadamente más corta que la capa inferior por 2 mm. Esta elección de diseño estratégico mejora drásticamente el grosor y la esponjosidad de cada abanico, ofreciendo una capa adicional de dramatismo. El abanico ancho de doble capa crea un efecto hipnótico de oscuro a claro, desde un tono más profundo en la raíz hasta un tono más claro en la punta, perfecto para los clientes que desean un aspecto de pestañas completas y ricamente pigmentadas.

Características principales:

Calidad: Nuestras pestañas están elaboradas con PBT coreano de alta calidad, lo que las hace suaves, duraderas y livianas para una comodidad óptima del cliente.
Ventiladores: 500/caja
Disponible en versión individual:

0,05 8D CC-C, D-CC, longitudes de 8 mm a 14 mm
0,03 10D CC-C, D-CC, longitudes de 8 mm a 14 mm
0,03 12D CC-C, D-CC, longitudes de 8 mm a 14 mm

Estándares éticos: La belleza se une a la ética con nuestras pestañas 100% libres de crueldad animal y aptas para veganos.

Product details

Trend/Popularity: Sets with visible depth - dark at the base fading lighter through the tips - are what clients screenshot and bring in, because they photograph as fullness without looking like a solid block of black.
Ease & Speed: A wide double-layer fan covers more lash line per placement than a narrow fan, so a full set reaches target density in fewer isolations, and the gradient arrives built in rather than being layered manually from two trays.
Income Opportunity: The gradient effect is a visibly different result from standard volume, which gives studios a named premium set to sell rather than competing on price for the same look every salon offers.

Artists selling maximum-impact sets: Anyone whose clients ask for dramatic fullness gets it with fewer placements and less fatigue.
High-volume studios: Wide fans reduce the number of isolations per set, which compounds meaningfully across a full booking day.
Artists moving from wide handmade fans: The wide spread will feel familiar to anyone used to hand-building wide fans, without the construction time.
Photography and content-led artists: The root-to-tip gradient reads as depth on camera, where flat single-layer volume can look one-dimensional.

The mechanics of a two-layer fan and what each element contributes.

Curled top layer 2mm shorter than the base layer - Creates internal depth within a single fan, so dimension does not depend on mixing lengths across the map.
Dark-to-light gradient along the fibre - The lash line reads solid at the root and soft at the tips, avoiding the flat block effect of uniform black.
Wide fan spread - Each placement covers more lash line, reducing the number of isolations needed for full density.
High-quality Korean PBT - Holds the two-layer curl geometry rather than the top layer relaxing into the bottom one.
8D 0.05, 10D 0.03, 12D 0.03 - Higher fibre counts are paired with finer diameters, keeping the double-layer fan within a workable weight.

Cleanse and prime the natural lashes, then tape and map the eye.
Plan placement spacing wider than usual - a wide fan over-fills if you space as you would for a narrow one.
Isolate a single natural lash, choosing lashes with enough strength for a wide fan.
Dispense a slightly larger glue dot; the wide spread puts more leverage on the base.
Dip only the bonded base, keeping adhesive out of the layered fibres where it would collapse the two layers together.
Place the fan flat against the isolated lash so both layers stay separated and the gradient faces forward.
Check the top layer has not folded into the base layer before releasing.
Comb through at the end and cure fully before the client closes her eyes for an extended period.

Placing at standard fan spacing - artists work at their usual rhythm and the wide fans overlap, producing a heavy closed set. Space placements wider and judge by coverage.
Over-dipping - adhesive wicking into the fibres glues the two layers together and destroys the gradient, which is the entire point of the product. Dip shallow, base only.
Placing the fan rotated - if the fan seats side-on, the gradient faces sideways and the depth disappears. Seat the fan flat and forward-facing.
Using it on weak natural lashes - a wide fan has a long lever arm regardless of fibre count. Assess lash strength before choosing this over a narrow fan.
Expecting the same set length as a single-layer fan - the shorter top layer means the set reads slightly shorter than its stated length. Account for that when mapping.

DOUBLE LAYER WIDE FANS VS. SINGLE LAYER FANS

Depth - Double Layer Wide Fans: Built-in gradient from two layers | Standard Single Layer Fans: Flat; depth must be mapped in
Coverage per placement - Double Layer Wide Fans: Wide - fewer isolations per set | Standard Single Layer Fans: Narrow - more placements needed
Set appearance - Double Layer Wide Fans: Dark root, softer tips | Standard Single Layer Fans: Uniform tone through the fibre
Placement spacing - Double Layer Wide Fans: Wider spacing required | Standard Single Layer Fans: Standard spacing
Natural lash requirement - Double Layer Wide Fans: Stronger lashes for the wider lever | Standard Single Layer Fans: Suits a broader range of lash strength
Best for - Double Layer Wide Fans: Dramatic, dimensional, photo-led sets | Standard Single Layer Fans: Everyday volume and hybrid work

Materials: High-quality Korean PBT fibre with light cosmetic bonding at the base. Vegan-friendly and cruelty-free - no animal-derived fibre. Patch test new clients for adhesive sensitivity.

My double-layer fans lose their gradient after a week - is that wear or application?

Almost always application: adhesive that wicked into the fibres pulls the top layer down onto the base layer, and once the client's natural oils soften the set the two layers read as one. Keep the dip confined strictly to the bonded base point.

How much wider should I space these compared to my usual promade?

Most artists find they use roughly a quarter fewer placements per eye than with a narrow fan of the same D count. Rather than counting, work zone by zone and stop when coverage looks right - a wide fan set that hits your usual placement count is over-filled.

Do the two layers make these heavier than a standard fan at the same D count?

Fibre count is fibre count, so raw weight is comparable - the difference is leverage, because a wide fan sits further from the attachment point. That is why the wide fan feels heavier on the lash even when the numbers match, and why base coverage matters more here.

Which curl combination should I choose for hooded eyes?

CC-C generally works better than D-CC on hooded lids, because the flatter pairing keeps the fan travelling outward rather than up into the hood where the depth is lost. Save D-CC for open eye shapes where the lift is visible.

Can I mix these with standard promade in one set?

Yes - a common approach is double-layer fans through the outer two-thirds where the gradient reads, and standard fans at the inner corner where the eye is tighter and a wide fan crowds. Keep the curls compatible so the two products do not create a visible seam.