Name: Camellia Super Mink Textured Lashes 0.07 - Black Brown (Cafe Noir Brown)
Brand: Curacoro
Price: 22.5 CAD
Availability: InStock

Camellia Super Mink Textured Lashes 0.07 - Black Brown (Cafe Noir Brown)

Camellia Super Mink Textured Lashes - Dark Brown 0.07mm

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Camellia Super Mink Textured Lashes 0.07 - Black Brown (Cafe Noir Brown)

Mixed-length textured lashes in a softening espresso brown

Camellia Super Mink Textured Lashes 0.07 in Cafe Noir Brown are mixed-length lash lines built to create wispy, dimensional sets without hand-mixing trays. Each line carries varying lengths that transition from soft, feathery fibres into bolder spikes, so texture is built into the strip rather than assembled at the chair. The Cafe Noir Brown tone is an espresso-toned brown that gives definition without the harshness of jet black, which suits natural-look sets and clients with lighter colouring. Made from premium Korean PBT with a matte finish and an easy-peel design, supplied as 18 lines per tray in C, CC, LB and LC curls. Professional use only.

Product details

Trend/Popularity: Textured, anime-inspired and wispy lash sets are among the most requested styles, and the softened brown version answers the large group of clients who like the look but find the black version too severe.
Ease & Speed: The length variation is built into the strip, so artists stop pulling from three or four trays to fake texture - one tray delivers the mixed-length effect at ordinary application pace.
Income Opportunity: A softened textured set is a distinct menu item rather than a variation, and it converts clients who have previously declined wispy work as too dramatic for everyday wear.

Artists building natural textured sets: Mixed lengths plus a softening tone is exactly the brief for undetectable wispy work.
Studios serving lighter-haired and warm-toned clients: Espresso brown blends where black draws a hard line.
Bridal and photography artists: Texture that holds detail in close-up without a heavy dark band at the root.
Artists working with L-family curls: LB and LC address downward-growing and hooded lash angles that C and CC cannot serve.

The construction detail behind a strip that produces texture on its own.

Mixed lengths within each line - Texture arrives from the strip itself, so no tray-mixing is needed to create dimension.
Feathery-to-spike transition - Provides both soft filler and defined points within one product, mirroring natural lash growth.
Cafe Noir Brown pigment - Espresso tone gives definition without the root-line contrast black creates.
Premium Korean PBT fibre - Holds curl and shape under humidity while staying lightweight on the natural lash.
Easy-peel strip design - Lashes release cleanly from the strip without residue or kinking at the base.
C, CC, LB and LC curls - Includes L-family curls for downward-growing and hooded lash angles.
18 lines per tray at 0.07mm - Generous tray count with a diameter that keeps brown pigment reading correctly.

Cleanse and prime the natural lashes thoroughly - residue shows faster on brown fibre than on black.
Check the client's natural lash tone in daylight before committing to a full brown set.
Tape and map the eye, planning where you want spikes versus soft filler.
Lift lashes from the strip at the base rather than mid-fibre so the tip stays undamaged.
Isolate a single natural lash cleanly.
Dip the base into a fresh glue dot, keeping adhesive off the fibre where it would show against brown.
Place, choosing the longer fibres for spike positions and shorter ones as filler between them.
Comb through and check the finished set in daylight as well as salon light.

Using the strip in sequence - taking lashes in the order they sit produces a random length pattern rather than a designed one. Select by length for the position you are filling.
Full brown on very dark natural lashes - the texture loses definition and the set reads flat. Blend with black or reserve for lighter lash tones.
Over-gluing - cured adhesive is visible against brown fibre. Keep dots small and tweezer tips clean.
Picking up mid-fibre - kinks the lash and ruins the tip, which is where the texture lives.
Skipping the daylight check - tone mismatch is invisible under salon light and obvious outside.

Diameter - 0.07mm
Curls - C, CC, LB, LC
Lengths - Mixed length per line
Quantity - 18 lines per tray
Colour - Cafe Noir Brown (espresso-toned)
Material - Premium Korean PBT Super Mink
Finish - Matte
Strip - Easy-peel design, clean release
Use - Professional use only

Materials: Premium Korean PBT (polybutylene terephthalate) fibre with brown pigment, on an easy-peel adhesive strip. No animal-derived fibre. Patch test new clients for adhesive sensitivity before a full set.

How do I select from a mixed-length line so the set looks designed rather than random?

Work by position rather than by sequence - identify the longer fibres in the line and reserve them for your spike points, using the shorter ones as filler between. Taking lashes in the order they appear on the strip is what produces the scattered, accidental look artists blame on the product.

When do I use LB or LC rather than C or CC?

On natural lashes that grow downward or sit under a heavy hood, where a standard curl would push the lash up into the lid and shorten the visible line. The L-family base sits flatter before lifting, so the extension travels outward first - it is a corrective curl, not a stylistic preference.

Does the brown tone reduce the texture effect?

It softens the contrast rather than the structure, so on lighter natural lashes the texture still reads clearly while looking less severe. On very dark natural lashes the softening can push the texture below the threshold where it registers, which is when a blended black-and-brown approach works better.

Can I mix these with volume fans in one set?

Yes - textured lines through the top layer over a light fan base is a common way to get density and texture together. Keep the fan curl consistent with the strip curl so the two layers do not fight each other.

Why do my textured sets look uneven at the outer corner?

Usually because the mixed lengths were placed without adjusting for the natural taper of the lash line - a long fibre near the very outer edge has nothing beside it to relate to and reads as a stray. Taper deliberately in that last section and keep the spikes slightly inboard.