Super Mink aterciopelado de 0,07 mm, color verde Kelly
Mejora tu look con la colección de colores Supermink de Curacoro
Convierte tus pestañas en impresionantes obras de arte
Explora Curacoro Velvet Super Mink en Kelly Green. Elaboradas a partir de materiales PBT de primera calidad, estas pestañas están hechas a mano para lograr la máxima suavidad, ligereza y una sensación natural, perfectas para el uso profesional en salones de belleza. La innovadora tira de transferencia con parte posterior de aluminio no deja residuos, lo que hace que la aplicación y separación de las pestañas sea sencilla y sin torceduras.
Ya sea que busquen un toque sutil de color o un estilo atrevido y llamativo, ¡Curacoro Velvet Super Mink en diferentes tonos ofrece resultados incomparables!
Product details
- Trend/Popularity: Themed colour work - sports events, seasonal campaigns and festival styling - generates recurring demand that studios can plan for, and green is the defining tone for several fixed points in that calendar.
- Ease & Speed: A full colour tray lets the artist build defined blocks and complete sets rather than scattering a limited accent supply, which is both faster and easier to keep symmetrical.
- Income Opportunity: Themed campaigns give a studio a reason to contact its client list at specific points in the year, and colour sets are priced as creative work rather than as standard services.
- Artists running themed campaigns: Sports seasons and St Patrick's promotions have fixed, predictable demand.
- Festival and event specialists: Bright green is a staple of festival colour work.
- Artists with green- and hazel-eyed clients: A tonal echo of the iris that black cannot provide.
- Creative and editorial artists: A clean saturated green for concept-led work.
The construction detail behind a professional-grade colour tray.
- True Kelly green pigment through the fibre - Saturated and clean rather than muted, so themed work reads unambiguously.
- Handmade top-tier PBT - Softness and lightness comparable to the black trays rather than a stiffer novelty fibre.
- Foil back transfer strip - Clean release with no residue and no base kinking.
- 0.07mm diameter - Enough fibre body for a mid-visibility colour to register.
- Segmented 8-11mm and 12-15mm plus mixed 7-15mm - Segments for colour blocking, the mix for full-set mapping.
- C, CC and D curls - Curl-matched to a black base set so only the tone differs.
- 16 lash lines per tray - Enough for full colour sets and repeat campaign work.
- Cleanse and prime the natural lashes and tape the eye.
- Preview the colour against the client's lashes in daylight; green shifts noticeably between light sources.
- Decide on the design - block, gradient or full set - and map it on both eyes.
- Build the black component first, leaving marked lashes free.
- Lift each coloured lash from the strip at the base and isolate a single natural lash.
- Dip the base into a fresh glue dot, keeping adhesive off the fibre.
- Place on the top layer where light reaches, matching curl and length to neighbours.
- Compare both eyes for symmetry, then cure fully.
- Scattering green thinly - it sits at moderate visibility, so spread thin it reads as discoloured lashes rather than as design. Use blocks or a substantial top layer.
- Placing on the lower layer - a mid-visibility colour in shadow disappears entirely.
- Skipping the daylight preview - green shifts more between warm and cool light than most tones.
- Adhesive on the fibre - dulls the pigment visibly.
- Assuming it will show like pink - green needs either concentration or direct light to register comparably.
- Diameter - 0.07mm
- Curls - C, CC, D
- Lengths - Segmented 8-11mm and 12-15mm; mixed 7-15mm
- Colour - Kelly Green
- Quantity - 16 lash lines per tray
- Strip - Foil back transfer strip, clean release
- Material - Handmade top-tier PBT
- Use - Professional salon use
Materials: Top-tier PBT fibre with Kelly green pigment, on a foil back transfer strip. No animal-derived fibre. For professional salon use. Patch test new clients for adhesive sensitivity before a full set.
Does green flatter any eye colour or only green eyes?
It echoes green and hazel eyes most obviously, which makes it an easy consultation recommendation for those clients. Against brown eyes it works as a cool contrast; against blue eyes it tends to compete rather than complement, so another tone is usually the better suggestion.
How do I make green read clearly on a dark-lashed client?
Concentrate it and keep it on the top layer where light reaches. Green sits at moderate visibility against black, so scattered placements read as odd rather than as designed, while a block through the outer third reads unambiguously as colour.
What are the segmented length ranges for?
Colour blocking, mainly - a narrow length range within a defined zone keeps the block reading as a deliberate shape rather than as a scattered patch. The 7-15mm mix covers full-set colour mapping where the length needs to follow the eye.
Can I combine green with another colour?
Green into blue works as a cool gradient, and green with gold reads as a strong themed pairing for sports and festive work. Green with warm pinks and reds usually fights rather than combines, so keep the second tone in the same temperature family.
Why does my green look yellowish under salon light?
Warm salon lighting shifts green toward yellow, while cool or daylight conditions bring the true tone forward. It is a lighting effect rather than a pigment issue, which is why previewing against the client's lashes in daylight is worth the thirty seconds.