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Fans Anchos Hechos a Mano 10D | 0.05 | Visón Sintético

Name: Fans Anchos Hechos a Mano 10D | 0.05 | Visón Sintético
Brand: Curacoro
Price: 37.5 CAD
Availability: OutOfStock
Rating: 4.9 (12 reviews)

Consiga un volumen lujoso sin esfuerzo

Abanicos de volumen hechos a mano de primera calidad

Fans Anchos Hechos a Mano 10D | 0.05 | Visón Sintético

Mejora tus servicios de pestañas con nuestros abanicos anchos hechos a mano de 10D, elaborados por expertos con visón sintético de primera calidad. Cada caja incluye entre 450 y 500 abanicos provenientes de una bandeja de 12 líneas, lo que garantiza que tengas un suministro abundante para crear conjuntos de pestañas impresionantes y voluminosas. Estos abanicos son ideales para lograr un acabado negro mate denso con un mínimo esfuerzo.

Características principales de nuestros abanicos anchos hechos a mano 10D:

Abanicos de volumen hechos a mano (abanicos anchos)
Cada caja contiene entre 450 y 500 ventiladores de una bandeja de 12 líneas.
Material: visón sintético de alta calidad.
Disponible en rizos C y D.
Espesor: 0,05
Opciones de longitud: 8 mm-21 mm
Cada caja incluye un tamaño y un rizo (no hay caja mixta)
Crea un aspecto negro mate, denso y de alta calidad.

Mejore su kit de herramientas para pestañas con nuestros abanicos anchos premium hechos a mano 10D y proporcione a sus clientes pestañas excepcionales y voluminosas.

Product details

Trend/Popularity: Wide, evenly spread volume - the look of a set with no visible gaps between fans - remains the benchmark for premium volume work, and clients recognise it as the difference between a good set and an average one.
Ease & Speed: Hand-built fans arrive with the spread already set, so artists get hand-fanned geometry without spending the appointment building fans, which is where most of a manual volume set's time goes.
Income Opportunity: Wide fans cover the lash line in fewer placements, so a dense premium set fits a standard appointment slot - the studio charges premium-set pricing without extending chair time to match.

Artists transitioning off manual fanning: The wide, hand-built geometry matches what they already produce, so the switch does not change the look of their portfolio.
Premium volume studios: Studios selling dense, gap-free sets get the spread that defines that finish without the labour.
Intermediate to advanced artists: Wide fans need accurate isolation and deliberate spacing, so they suit artists past the beginner stage.
Artists serving strong-lashed clients: Ten fibres on a wide spread needs a natural lash that can carry the leverage, which suits robust lash types.

The construction behind the spread, and what it means at the lash line.

Hand-built fan construction - Fibres are distributed by hand across a wide arc rather than pinched at a machine point, producing an even spread.
Wide fan geometry - Each placement covers more lash line, reducing the number of isolations needed for full coverage.
10D at 0.05mm - Higher fibre count at a fine diameter keeps a wide dense fan within a manageable weight.
Premium synthetic mink fibre - Dense matte black with no plastic sheen, so density does not read as shine.
8-15mm plus 21mm option - Everyday working range plus an extreme length for editorial and outer-corner statements.
C and D curls - Two clearly distinct curl options for flat versus lifted natural lash angles.

Cleanse and prime the natural lashes, then tape and map the eye.
Plan wider placement spacing than you would for a narrow fan, so the wide spread does not overlap.
Lift the fan from the tray line by line, taking it from the base rather than the fibre tips to preserve the spread.
Isolate a single natural lash, choosing lashes strong enough to carry a wide fan.
Dispense a glue dot large enough to coat the full base - a wide fan has more leverage than its fibre count suggests.
Dip the base only, keeping the fan spread free of adhesive.
Seat the fan flat against the isolated lash so the spread faces forward, and hold until it grabs.
Comb through at the end and confirm no fans have closed before curing.

Picking the fan up by the tips - it is the easier grab from a tray, but it collapses the spread the product is built for. Take it from the base.
Standard placement spacing - a wide fan spaced like a narrow one produces an overlapped, heavy set. Widen your spacing and judge by coverage.
Under-gluing - artists dose by fibre count and forget the wide arc adds leverage. Increase the dot for wide fans specifically.
Reaching for the 21mm option on ordinary clients - it exists for editorial and outer-corner accents, not everyday sets. Match maximum length to the natural lash carrying it.
Storing the tray open - hand-built fans hold their spread better protected from dust and humidity. Close the box between clients.

HANDMADE WIDE FANS VS. PROMADE NARROW FANS

Fan spread - Handmade Wide Fans 10D 0.05: Wide, hand-distributed arc | Standard Promade Fans: Narrower, machine-consistent
Coverage per placement - Handmade Wide Fans 10D 0.05: High - fewer isolations per set | Standard Promade Fans: Moderate - more placements needed
Consistency - Handmade Wide Fans 10D 0.05: Very good, with slight hand variation | Standard Promade Fans: Uniform across the whole box
Base - Handmade Wide Fans 10D 0.05: Hand-bonded, slightly broader | Standard Promade Fans: Tiny bonded point
Pick-up technique - Handmade Wide Fans 10D 0.05: Take from the base to preserve spread | Standard Promade Fans: Straightforward lift from the tray
Best for - Handmade Wide Fans 10D 0.05: Dense, gap-free premium volume sets | Standard Promade Fans: Speed-led sets and consistent repeat work

Materials: Premium synthetic mink (PBT) fibre with cosmetic bonding at the base. No animal-derived fibre. Patch test new clients for adhesive sensitivity before a full set.

My wide fans keep closing between the tray and the lash - how do I stop that?

Grip at the bonded base rather than mid-fibre, and lift straight up out of the tray line rather than dragging sideways. If they still close, the tweezer is closing too far up the fan - a wider-gripping volume tweezer holds the base without pinching the spread.

How many fans per eye should a 10D wide set take compared with a narrow 10D?

Expect noticeably fewer, because each fan covers more lash line - artists commonly find their usual count over-fills. Work zone by zone and stop on coverage rather than counting to a habitual number.

Are hand-built fans genuinely less consistent than promade?

There is slight variation fan to fan, which is inherent to hand construction, but it usually works in your favour by making the set look less mechanical. The consistency that matters - base size and fibre count - stays reliable within a box.

When would I actually use the 21mm length?

For outer-corner statements, editorial work and stage sets on clients whose natural lashes can carry it, and rarely more than a handful per eye. Used across a map it exceeds safe length for almost any natural lash and will shed fast.

Do wide fans work on hooded eyes, or do they close the eye up?

They work, but curl selection carries the whole result - C curl travelling outward keeps the eye open, while D on a hooded lid pushes the fan up into the overhang and shortens the visible lash line. Map flatter through the centre and let the drama sit in the outer third.