Fans Sueltos Promade Marrón 5D 0.07

1. Cleanse and prime thoroughly - residue is more visible on brown fibre than on black.
2. Hold the fans against the client's own lashes in daylight to confirm the tone reads as intended.
3. Map the set, deciding whether brown runs throughout or blends with black.
4. Isolate a single natural lash cleanly.
5. Dispense a slightly larger glue dot for the tiny base and keep tweezer tips clean.
6. Dip the base only; adhesive on the fibre is more visible against brown.
7. Place the fan flat, matching curl and length to neighbouring fans.
8. Check the set in both salon light and daylight before finishing.

• Using dark brown expecting an obviously brown result - at a glance it reads close to black; the softening shows in close-up and photographs. Set the expectation accordingly.
• Pairing with caramel brown in the same set without a plan - the two browns can look like a mismatch rather than a gradient. Blend deliberately, with black as the anchor.
• Over-gluing - cured adhesive shows against brown fibre. Keep dots small and coverage complete.
• Assuming brown suits every client - on very light natural lashes espresso brown can look as contrasty as black. Match the tone to the lash.
• Neglecting cleansing advice - build-up dulls brown faster than black and reads as fading.

• Volume - 5D
• Diameter - 0.07mm
• Curls - C, CC, D
• Lengths - 8mm-15mm
• Colour - Dark brown (espresso tone)
• Quantity - 480-520 fans per box
• Box contents - One curl and one length per box
• Base - Tiny light-glue-bonded base
• Material - Premium PBT synthetic silk (pro-silk)
• Certifications - Vegan, latex-free, cruelty-free

Materials: PBT pro-silk fibre pigmented in dark brown, with a light cosmetic bonding agent at the base. No animal-derived fibre and no latex. Patch test new clients for adhesive sensitivity before a full set.

Will a client actually notice the difference between dark brown and black?

Not from across the room, but she will in the mirror, in photographs and in the way the set sits against her skin at the root - which is where black creates its hard line. Clients who describe past sets as "too much" or "too obvious" are usually reacting to that root contrast rather than to length or density.

Can I build a full set from dark brown, or is it a blending tone?

Both work. A full espresso set gives consistent soft definition, while blending it with black through the lower layer gives more depth at the root and a softer top layer. The blended approach photographs slightly better; the full set is simpler and more consistent.

Does brown fibre affect adhesive choice?

No, but it changes what shows - cured black adhesive against brown fibre is visible as speckling in a way it is not against black. Work with fresher, smaller dots and clean your tweezer tips more often rather than changing product.

Which brown do I stock if I can only carry one?

Dark brown, for most studios - it works on a wider range of natural lash tones and is more forgiving on dark-lashed clients, where caramel can look grey. Caramel earns its place as a second tone once you have a settled base of blonde and light-brown clients.

My brown sets look faded compared with the day they were applied - is the pigment wearing?

The pigment runs through the fibre, so it is not wearing off; what changes is residue build-up and the increasing proportion of natural lash visible at the root as the set grows out. Reinforcing cleansing usually restores the appearance without touching the set.