Abanicos de colores Mix Promade 6 en 1 5D 0,07
Ahorre tiempo y maximice la calidad
El equilibrio perfecto entre pestañas de visón y sintéticas
Abanicos de colores Mix Promade: Detalles del producto
Ahorra tiempo y maximiza la calidad con nuestras PESTAÑAS PROMADE: el equilibrio perfecto entre pestañas de visón y sintéticas. Nuestras pestañas Promade están hechas de seda sintética PBT de alta calidad, con una ligera unión de pegamento en la base. Esto da como resultado pestañas suaves y ligeras como una pluma con un acabado negro mate semibrillante. Nuestros clientes dicen que nuestras pestañas prefabricadas tienen la suavidad y ligereza de las pestañas de visón y el aspecto rizado, natural y denso de las pestañas sintéticas.
Algunos de los aspectos más destacados de nuestras PESTAÑAS PROMADE son:
- Ventiladores de volumen fabricados por Pro-made en la caja, 1500 ventiladores por caja
- CAJAS MIXTAS, 6 tamaños por caja, cada tamaño tiene 250 abanicos
- Hecho de seda profesional
- Pegado ligero en las bases, ligero como una pluma con una base diminuta.
- Apto para veganos
- Sin látex y sin crueldad animal
Olvídate de las molestias a la hora de colocarte las pestañas con nuestras pestañas Promade: la solución perfecta para artistas de pestañas ocupados.
TENGA EN CUENTA:
Debido a que la base es pequeña, asegúrate de usar más pegamento que con los abanicos de base más grandes. Mira el video para ver cómo aplicar correctamente nuestras pestañas PROMADE.
Product details
- Trend/Popularity: Coloured accent lashing has moved past festival season into year-round demand, with clients requesting subtle tonal work for photos and events and naming colours as part of their booking.
- Ease & Speed: Four colours across six lengths in a single box means no swapping trays mid-set or mapping around a missing length, so a coloured accent adds minutes to a set rather than restructuring the whole appointment.
- Income Opportunity: Colour is the easiest upsell on a lash menu because clients understand it immediately, and stocking one box instead of four trays keeps the inventory cost of offering that upsell low while the price premium stays intact.
- Artists adding colour to their menu: One box covers the whole offering, which removes the inventory risk of committing to individual colour trays that may not sell evenly.
- Event, festival and seasonal specialists: Four tones cover most seasonal briefs without reordering, from autumn browns to summer brights.
- Mobile and travelling artists: A single box replaces four trays in the kit, which matters when space and set-up time are limited.
- Studios with multiple artists: A shared colour box serves the whole team rather than each artist carrying duplicate coloured stock.
The format detail that makes a four-colour set practical at the chair.
- Four colours in one box - Colour can be chosen or changed at the chair without opening another product.
- Six lengths, 9-14mm, 250 fans each - Enough of each size to map a full accent rather than running short mid-eye.
- 1,500 fans total - Box lifetime is long enough that colour work does not need reordering every few sets.
- 5D 0.07 pro-silk build - Diameter carries pigment visibly; at finer diameters coloured fibre reads washed out.
- Semi-glossed matte finish - Colour reads as tonal depth under light rather than as flat costume colour.
- Tiny light-glue-bonded base - Keeps accent placements low-profile so colour does not come with visible bulk.
- CC curl throughout - One curl across all colours and lengths keeps a mixed-colour set visually consistent.
- Cleanse and prime the natural lashes and tape the eye.
- Agree the colour and placement pattern with the client first, and show the fans in daylight - salon light exaggerates pigment.
- Map the set, marking which zones carry colour and which stay black.
- Build the black base of the set first, leaving planned lashes free for colour.
- Isolate a single natural lash and dispense a slightly larger glue dot than usual for the tiny base.
- Dip lightly, avoiding adhesive on the fibre where it would dull the pigment.
- Place the coloured fan, keeping the pattern spacing consistent across both eyes.
- Check symmetry between eyes before finishing, since colour makes any imbalance immediately obvious.
- Scattering colour randomly - artists place coloured fans as they go, and the result reads as contamination rather than design. Map colour placement before you start.
- Failing to match colour across eyes - colour asymmetry is far more visible than length asymmetry. Count placements per zone on both eyes.
- Using colour on the bottom layer - fans placed underneath are hidden by the black layer above, wasting the effect. Place colour on the top layer.
- Over-promising visibility on dark lashes - deep tones can be near-invisible in daylight on dark lash lines. Show the client the effect before the full set.
- Letting adhesive coat the fibre - glue on coloured fibre dulls and greys the pigment. Keep dips shallow and confined to the base.
- Volume - 5D
- Diameter - 0.07mm
- Curl - CC
- Lengths - 9, 10, 11, 12, 13, 14mm (6in1 mix)
- Colours - Dark choco brown, pink, blue, purple
- Quantity - 1,500 fans per box - 250 per length
- Base - Tiny light-glue-bonded base
- Finish - Semi-glossed, matte
- Material - High-quality PBT synthetic silk (pro-silk)
- Certifications - Vegan, latex-free, cruelty-free
Materials: PBT (polybutylene terephthalate) synthetic silk fibre with pigment, bonded with a light cosmetic adhesive at the base. Contains no animal-derived fibre and no latex. Patch test new clients for adhesive sensitivity before a full set.
How many coloured fans does a visible accent actually take?
For a subtle tonal effect most artists place colour on roughly one in four to one in six lashes through the outer half; for an obvious statement, a solid block through the outer third works better than scattering more widely. Counting per zone rather than per eye is what keeps both eyes matching.
Which of the four colours shows up best on dark natural lashes?
Pink and purple hold visibility best against dark lashes because the contrast is in hue rather than depth, while blue reads mainly as cool shadow and brown can disappear entirely. On very dark lash lines, place colour on the top layer only, where light actually reaches it.
Can I combine two of the colours in one set?
Yes, and a two-tone gradient - for example purple through the outer corner blending into blue mid-eye - is a strong signature look. Keep to two tones maximum and let one dominate, since three or more colours in a 5D set stops reading as design.
The colour looked strong in the salon and the client says it vanished outside - what happened?
Salon lighting is directional and usually warm, which lifts pigment; diffuse daylight flattens it, particularly on blue and brown. Always show a client the fans against her own lashes in daylight before committing to a full set.
Does the pigment affect retention compared with black fans?
The bond is at the base, so pigment itself is not the variable - but artists tend to under-glue coloured fans while trying to keep adhesive off the visible fibre. Use the same generous dot you would on black and simply keep the dip shallow and confined to the base.