Abanicos tenues - 11D 0.03
Añade arte a tus pestañas con nuestros exclusivos abanicos Wispy
Crea looks llamativos con facilidad
Abanicos Wispy: Detalles del producto
Dale un toque artístico a tus pestañas con nuestros abanicos de pestañas. Perfectos para los artistas de pestañas que desean un toque creativo, estos abanicos utilizan longitudes variables para crear un mapa dinámico de áreas altas y bajas con puntas distintivas que llaman la atención y abanicos cerrados.
¿Por qué elegir los ventiladores Wispy de Curacoro?
- Artesanía hecha a mano: cada abanico está elaborado meticulosamente, combinando un abanico 11D 0.03 con una púa tres veces más larga, lo que da como resultado una textura y un volumen únicos.
- Velocidad y eficiencia: el uso de nuestras WISPYS de PROMADE puede duplicar la velocidad de aplicación de las pestañas al reducir el tiempo necesario para crear abanicos 11D y abanicos cerrados. Son perfectas para crear un conjunto completo o agregar púas a áreas específicas de su mapa de pestañas.
- Calidad profesional: fabricados con pestañas de seda profesional con un acabado negro mate suave, estos abanicos tenues están diseñados para brindar una apariencia esponjosa y liviana.
Características destacadas del producto:
- Ventiladores de volumen tenue de fabricación profesional, 480-520 ventiladores por caja
- Disponible en rizos C, CC y D.
- Longitudes: 9 mm a 18 mm, con puntas tres veces más largas
- Pegamento ligero en las bases para una fácil aplicación.
- Apto para veganos, sin látex y sin crueldad animal.
Dile adiós a las molestias de crear diseños de pestañas intrincados y adopta la facilidad y eficiencia de nuestros abanicos tenues. Ideales para artistas de pestañas ocupados que buscan soluciones confiables y de alta calidad.
Nota importante: Debido a que la base es pequeña, utilice más pegamento que con los abanicos de base más grandes. Vea nuestro video tutorial para ver la aplicación correcta de nuestras pestañas PROMADE.
Product details
- Trend/Popularity: Dense wispy sets - full coverage with a clear high-low spike rhythm - are the most-screenshotted lash style in circulation, and clients ask for them by look rather than by any technical description.
- Ease & Speed: Spikes normally require a separate pass with a separate tray after the volume base is built; here the spike arrives attached, collapsing two stages into one and removing the spacing judgement call from every placement.
- Income Opportunity: Wispy sets carry a premium on most menus while now costing less chair time, which converts a labour-heavy showpiece into a repeatable, high-margin booking.
- Wispy and textured set specialists: Density and spikes from one tray rather than two passes.
- Advanced artists: Eleven fine fibres plus spikes demands precise isolation and adhesive discipline.
- High-volume studios: Makes a labour-intensive style schedulable in a standard appointment slot.
- Portfolio-led artists: High-low contrast at density is the most photogenic combination in lash work.
What the combined structure does mechanically at the lash line.
- 11D fan with integrated spikes - One base carries both elements, so there is a single attachment point instead of two to fail.
- Spikes approximately 3mm longer than the fan - Enough height difference to read as texture at conversational distance, not only in close-up.
- 0.03mm ultra-fine diameter - The only way eleven fibres plus spikes stays within a workable load.
- Tiny light-glue-bonded base - A structurally complex fan still attaches through one narrow, low-bulk point.
- 9-18mm length range - Covers everyday wispy work through to dramatic outer-corner rhythm.
- C, CC and D curls - Curl matching prevents long spikes from rotating into neighbouring lashes.
- Soft matte black finish - Keeps density and spikes reading as texture rather than as glossy separation.
- Cleanse and prime the natural lashes, then tape and map the eye.
- Plan the spike rhythm before you begin - continuous spikes cancel the contrast the style depends on.
- Isolate a single natural lash, reserving strong lashes for spike positions.
- Dispense a generous glue dot and refresh it often; fine fibre floods easily.
- Dip only the base tip, keeping fibres and spikes free of adhesive.
- Place the fan, orienting the spike into your planned rhythm.
- Between spike points, orient fans flatter so the texture has contrast to read against.
- Comb through, confirm no spike is crossing a neighbour, and cure fully.
- Spiking every placement - working in sequence out of habit turns rhythm into noise. Space spikes deliberately.
- Placing spikes on weak natural lashes - the extra fibre length increases leverage and fine lashes shed early.
- Deep dipping - at 0.03 the fan floods and closes instantly, taking the spike with it. Base tip only.
- Mapping to the spike length - measuring by the spike makes the set far longer than planned. Map to the fan body.
- Ignoring curl mismatch - a long spike on the wrong curl crosses into neighbouring lashes and disrupts the whole zone.
PRE-SPIKED WISPY FANS VS. MANUAL SPIKE PLACEMENT
- Passes required - Wispy Promade 11D 0.03: One | Volume fans plus a separate spike pass: Two
- Trays needed - Wispy Promade 11D 0.03: One | Volume fans plus a separate spike pass: Two or more
- Attachment points - Wispy Promade 11D 0.03: One base per spike | Volume fans plus a separate spike pass: A separate base for every spike
- Retention risk - Wispy Promade 11D 0.03: Single well-glued base | Volume fans plus a separate spike pass: Isolated spikes are a common early-loss point
- Spike consistency - Wispy Promade 11D 0.03: Uniform length relationship every time | Volume fans plus a separate spike pass: Varies with each judgement call
- Best for - Wispy Promade 11D 0.03: Repeatable dense wispy sets at scale | Volume fans plus a separate spike pass: Fully bespoke spike architecture
Materials: PBT pro-silk fibre with a light cosmetic bonding agent at the base. Vegan, latex-free and cruelty-free. Patch test new clients for adhesive sensitivity.
How far apart should spikes fall at this density?
Roughly every third to fifth natural lash, tightening through the outer third where drama reads. At 11D the base coverage is already dense, so continuous spiking produces a shaggy, undifferentiated set rather than a wispy one - the gaps are doing as much work as the spikes.
Do the spikes cause retention problems?
They concentrate mechanical stress at the base, so any shortfall in adhesive coverage shows up at spike positions first. Increase the dot specifically for those placements and confirm complete base contact before releasing, and retention evens out across the set.
Can I use these for a full set or only as accents?
Both work at this density, but a full set needs deliberate rotation - orient some fans so the spike lies flatter into the set and reserve upright spike orientation for your rhythm points. Without that variation a full tray reads busy rather than textured.
My wispy sets lose their texture after a couple of weeks - why?
As natural lashes grow, spikes rotate out of the visual plane and the height contrast stops registering, so the set reads dense rather than wispy well before it looks sparse. At infill, re-plan the spike rhythm across the whole eye rather than only filling gaps.
How do I keep a dense wispy set from closing up a hooded eye?
Reduce spike frequency through the centre and flatten the curl where the lid overhangs, so the set travels outward rather than up into the hood. On hooded eyes the drama belongs in the outer third, not across the whole lid.