Ventiladores Mix Promade 3 en 1 y 6 en 1 | 14D 0.03
SKU: 5f3609e2efef2
SKU: 5f3609e2efef2
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Ventiladores Mix Promade 3 en 1 y 6 en 1 | 14D 0.03

Mejora tus pestañas sin esfuerzo con PROMADE LASHES

Consiga la combinación ideal de pestañas de visón y sintéticas con nuestras pestañas Promade. Estas pestañas, confeccionadas con seda sintética PBT de primera calidad y con una ligera unión con pegamento en la base, son ligeras, esponjosas y tienen un acabado negro mate semibrillante. Nuestros clientes aprecian la suavidad, la ligereza y el aspecto natural y denso que ofrecen nuestras pestañas prefabricadas.

¿Por qué elegir PROMADE LASHES?

  • Ventiladores de volumen fabricados por profesionales incluidos en cada caja.
  • 750 ventiladores por caja (3 en 1) o 1500 ventiladores por caja (6 en 1)
  • CAJAS MIXTAS con 3 o 6 tamaños por caja, cada tamaño contiene 250 abanicos
  • Fabricado con seda profesional de alta calidad.
  • Ligero como una pluma y con bases diminutas gracias a la ligera unión con pegamento.
  • Apto para veganos, sin látex y sin crueldad animal.

Simplifique su proceso de colocación de pestañas con nuestras pestañas Promade, la solución perfecta para artistas de pestañas ocupados.

IMPORTANTE: Debido a la pequeña base, asegúrese de utilizar más pegamento que con los abanicos de base más grandes. Vea el video para conocer las técnicas de aplicación adecuadas de nuestras pestañas PROMADE.

Product details

  • Trend/Popularity: Clients with naturally sparse lashes increasingly ask for sets that look full rather than merely longer, and high fibre count at a fine diameter is the only way to deliver that without overloading the lash.
  • Ease & Speed: At 14D the set reaches full coverage in fewer placements than a lower count, and having every mapping length in one box means the artist is not re-siting trays through the appointment.
  • Income Opportunity: Sparse-lash clients are often the ones who have been disappointed elsewhere, so an artist who can genuinely transform that lash line earns loyal, high-frequency clients rather than one-off bookings.
  • Artists serving sparse natural lash lines: High fibre count is the practical answer to gaps that length cannot fix.
  • Advanced mega-volume technicians: Fourteen fine fibres require excellent isolation and disciplined adhesive control.
  • Studios selling a flagship density service: A recognisable top-tier set that is still safe on healthy natural lashes.
  • Artists who map every set: The multi-length format keeps a dense contoured set achievable without a tray shuffle.

Where the fibre count actually earns its place mechanically.

  • 14D at 0.03mm - Fibre count high enough to cover sparse natural lash lines that lower counts leave gappy.
  • Ultra-fine diameter - Keeps fourteen fibres inside a weight range healthy natural lashes can carry.
  • Tiny light-glue-bonded base - High fibre count still attaches through a narrow point, avoiding stacked bulk at the lash line.
  • 3in1 or 6in1 format, 250 per size - Whole mapped range in one box, so a dense set never stalls waiting on a length.
  • Consecutive 1mm steps - Smooth contour transitions, which matter more as density increases.
  • C, CC and D curls - Curl matched to natural growth angle across the full length range.
  • Semi-glossed matte black finish - Prevents very dense fine fibre from reading as reflective rather than full.
  1. Assess the natural lash under magnification and confirm 14D is appropriate for its strength.
  2. Cleanse and prime, then tape and map, marking each length zone.
  3. Arrange the box so every length is reachable without moving position.
  4. Isolate meticulously; density this high makes stickies far more likely and harder to release.
  5. Dispense a generous glue dot and refresh it every several fans.
  6. Dip only the base tip - 0.03 fibre floods immediately if you go deeper.
  7. Place, verify the fan is open, and work systematically through each zone.
  8. Check each completed section for stickies, comb through, and cure fully.
  • Over-placing - at 14D full coverage arrives before your usual placement count, and continuing produces a closed, heavy set. Stop on coverage.
  • Deep dipping - the fastest way to turn a 14D fan into a spike. Base tip only, and refresh the dot frequently.
  • Applying to weak lashes because the client is sparse - sparse and weak are different; a sparse but strong lash line can carry 14D, a weak one cannot. Assess both.
  • Batch-checking stickies - at this fibre count a stickie found at the end of a set is often unsalvageable. Check every section.
  • Mapping with 2mm jumps - density makes every step more visible. Use consecutive lengths and blend across transitions.

CHOOSING DENSITY: 10D, 12D AND 14D AT 0.03

  • Coverage - 10D: Dense with slight fan definition | 12D: Seamless on average lash lines | 14D: Full coverage even on sparse lash lines
  • Fans per set - 10D: Highest | 12D: Moderate | 14D: Lowest
  • Adhesive discipline - 10D: Standard fine-fibre care | 12D: High | 14D: Very high - floods easily
  • Best client - 10D: Average natural density | 12D: Average to slightly sparse | 14D: Visibly sparse but healthy lashes
  • Finish - 10D: Soft and fluffy | 12D: Soft and solid | 14D: Dramatic, gap-free
  • Menu position - 10D: Everyday volume | 12D: Premium volume | 14D: Flagship mega-volume

Materials: PBT pro-silk fibre with a light cosmetic bonding agent at the base. Vegan, latex-free and cruelty-free. Patch test new clients for adhesive sensitivity.

Is high density genuinely the right answer for sparse natural lashes, or does it overload them?

It is the right answer when the lashes are sparse but healthy, because fibre count fills the visual gaps that no amount of length can. It is the wrong answer when the lashes are sparse because they are damaged or shedding - in that case the priority is recovery, and a light classic or hybrid set while the lash line rebuilds.

How do I stop a 14D set from looking like a solid strip?

Vary length more deliberately than you would at lower densities and avoid running one length across a wide span. At high density the eye reads the outline of the set rather than individual fans, so the shape of the map is doing all the work.

Should I use a slower adhesive at 14D?

Usually yes - a dense fan takes longer to seat with full base contact, and a fast adhesive will grab before you have it placed. The trade-off is longer hold time per lash, which is part of why high-density sets take longer even with pre-built fans.

My client's 14D set feels heavy to her but retention is good - what should I change?

Perceived weight is driven more by length and curl than by fibre count, so drop a millimetre through the centre and check the curl is not fighting her natural growth angle before reducing density. A set that feels heavy but holds is usually mapped too long rather than too dense.

How many fans should a 14D full set use compared with 10D?

Meaningfully fewer, though the exact number depends on the client's own lash density. Artists moving up from 10D often over-fill on their first few 14D sets simply from habit - counting placements per zone rather than working to a total is the fix.

Frequently bought together

Lash Lift Bonding Gel 10ml Bottle Over White Background
13 white Disposable Micro Applicators over a pink background.