Name: Velvet Super Mink 0.07 - Brown Red (Warm Cinnamon)
Brand: Curacoro
Price: 20.99 CAD
Availability: InStock
Rating: 4.9 (7 reviews)

Velvet Super Mink 0.07 - Brown Red (Warm Cinnamon)

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Velvet Super Mink 0.07 - Brown Red (Warm Cinnamon)

A softly spiced brown with red undertones for warmth and character

Velvet Super Mink 0.07 in Brown Red - Warm Cinnamon - is a brown with genuine red undertones, giving warmth and character that a neutral brown cannot. It flatters auburn and red-haired clients where standard browns look flat, and adds a subtle spiced depth to sets on warm-toned clients generally. Deep enough to define, warm enough to stay soft. Sixteen lash lines per tray on a 2mm easy peel-off strip with foil backing, water-resistant, in C, CC and D curls with mixed 7-15mm and 6-13mm ranges. Formaldehyde-free, latex-free, vegan and cruelty-free - a specialist tone that solves a problem most studios leave unsolved.

Product details

Trend/Popularity: Warm-toned beauty work has driven demand for lash colours that echo hair and skin warmth rather than defaulting to neutral, and cinnamon is the tone that serves auburn and red colouring specifically.
Ease & Speed: A dedicated warm brown removes the blending experiments artists otherwise run trying to warm up a neutral brown for red-haired clients.
Income Opportunity: Red-haired and auburn clients are consistently under-served by lash colour ranges, so an artist who stocks a genuine cinnamon tone becomes the obvious choice for a client group with limited options.

Artists with auburn and red-haired clients: The tone that echoes their natural colouring rather than fighting it.
Warm-toned styling specialists: Adds spiced depth to sets on warm skin tones generally.
Bridal and photography artists: Warmth photographs beautifully in natural light where neutral browns can look flat.
Artists building gradient sets: Cinnamon adds warmth to a black-to-brown gradient that a neutral tone cannot.

Where a red undertone changes the result.

Warm cinnamon pigment with red undertone - Echoes auburn and red natural colouring, where neutral browns read flat and grey.
0.07mm diameter - Enough body for a warm tone to register rather than reading as a wash.
2mm glue strip, easy peel-off - Minimal pick-up force keeps bases straight and retention consistent.
Foil strip backing - Keeps the lash tile clean through a full set.
Water-resistant fibre - Holds curl and appearance through washing and humidity.
Mixed 7-15mm and 6-13mm ranges - Covers both standard and shorter natural lash lines.
C, CC and D curls - Core curls for a warm-toned natural or soft glam map.

Cleanse and prime thoroughly - residue is more visible on brown fibre than on black.
Check the tone against the client's own lashes and hair in daylight, since warm tones shift most between light sources.
Map the set, deciding whether cinnamon runs throughout or blends with a neutral brown or black.
Lift each lash from the strip at the base rather than mid-fibre.
Isolate a single natural lash and use a fresh, clean glue dot.
Keep adhesive off the fibre, since cured glue is visible against warm brown.
Place with the bases aligned along the natural lash.
Check the finished set in both salon light and daylight.

Using cinnamon on cool-toned clients - the red undertone clashes with ash and cool colouring and reads as a mismatch rather than as warmth.
Expecting an obviously red result - it is a warm brown, not a red lash. Set the expectation.
Over-gluing - cured adhesive shows against warm brown fibre.
Skipping the daylight check - warm undertones shift more between light sources than neutral tones do.
Blending with a cool-toned brown - the two undertones fight. Blend cinnamon with black or with another warm brown.

WHEN TO CHOOSE WARM CINNAMON OVER A NEUTRAL BROWN

Undertone - Warm Cinnamon (Brown Red): Warm, red-leaning | Neutral browns: Neutral to cool
Best natural colouring - Warm Cinnamon (Brown Red): Auburn, red, warm brown hair | Neutral browns: Blonde through dark brown
Effect on warm skin - Warm Cinnamon (Brown Red): Echoes and enhances warmth | Neutral browns: Can read flat or slightly grey
Effect on cool skin - Warm Cinnamon (Brown Red): Can clash | Neutral browns: Blends cleanly
Blending partners - Warm Cinnamon (Brown Red): Black, other warm browns | Neutral browns: Black, any brown
Client brief - Warm Cinnamon (Brown Red): Warmth and character | Neutral browns: Softening and definition

Materials: Super Mink PBT fibre with warm cinnamon pigment, on a 2mm easy-peel adhesive strip with foil backing. Formaldehyde-free, latex-free, vegan and cruelty-free. Patch test new clients for adhesive sensitivity.

How do I tell whether a client suits cinnamon or a neutral brown?

Look at her hair and skin undertone rather than her lash colour - warm, golden or red-leaning colouring takes cinnamon well, while ash and cool-toned colouring will read as a clash. Holding both tones beside her face in daylight settles it in seconds and is worth doing rather than guessing.

Does the red undertone show clearly, or is it subtle?

Subtle in most lighting and more apparent in warm and natural light, where it reads as warmth rather than as visible red. Clients expecting an obviously red lash will be disappointed, so describe it as a warm brown with character rather than as a colour.

Can I blend cinnamon with a neutral brown in one set?

It is best avoided - the two undertones compete and the set can look tonally inconsistent rather than gradient. Cinnamon blends cleanly with black for depth, or with another warm brown for a graduated warm map.

Is cinnamon a seasonal tone or year-round?

It peaks in autumn but functions year-round for clients whose natural colouring it suits, which is what separates it from a seasonal novelty. For an auburn-haired client it is simply the correct tone regardless of the month.

Why does my cinnamon set look brown in some photographs and warmer in others?

Because warm undertones are the most light-sensitive of the brown family - warm indoor lighting brings the red forward while cool or overcast light neutralises it. It is worth explaining to a client before an event so she is not surprised by her own photographs.